As I first began sculpting with clay, I was told that I should take a large lump of material and start working.

Creation and sculpting is an act that takes its own course and forms into a completed sculpture. With time, I have developed the ability to release my thought, relax my body and simply enjoy my handprints over the material. The sensation of my hands touching the clay, kneading it, adding and subtracting material; creating textures that change on a daily basis—smooth, coarse, lumpy, sharply outlined or furrowed and tempestuous—it is the touch of hands that generates the magic.